One of the misfortunes of Boris Vian - and a misfortune for those who love him - is to be born and especially to be dead a bit too soon to have known the new wave. We saw him actor in “A pocket love“ and “The Bel Age“, Pierre Kast, in “Dangerous Liaisons 1960“, Roger Vadim, where he held the role of Prévan, which was like a glove . His friend Prévert had designed him the cardinal's role in “Notre-Dame de Paris“ by Delannoy. But never did Boris dare to put on the stage what he had written for the screen: he believed the thing impossible.

Boris Vian (1920-1959) died during a private screening of "I Shall Spit on your grave", a film based upon his own novel. This death underscore the strange relationship Boris Vian had with the cinema during all his life.

An anthology of sequences from the best films that the National Film Board of Canada produced since its beginnings. Divided by themes and presented by a trio of actors-signers (including Carle's wife Chloé Sainte-Marie) who sings the same song in between the movie excerpts. This movie celebrated the anniversary of the National Film Board in 1985.

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Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section. Therefore, it’s with a real emotion that I have dived into the festival’s unreleased archives - finding astounding debates or hilarious reactions of the audience - in order to reweave the thread of that forgotten and yet so meaningful story about Cinema.

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暂无剧情简介

暂无剧情简介

暂无剧情简介

暂无剧情简介